00:00:00DM: Alright this is Donna Mikesch, today's date is November eleventh, no it's
November the third, 2011, it is five o'clock and I am conducting an interview
with Jo Ann Hannah for the Quilters' Save Our Stories a project of the Alliance
for the American Quilts. Jo Ann and I are at the international quilt festival is
00:01:00Houston, Texas. Jo Ann, will you tell me about the quilt that you brought today, please?
JH: It's my Anniversary quilt. We were married in 1957 on August the 21st. My
husband and I were married for fifty years, and he passed away December the 17th
of 2007 so we barely made it, but I had begun this quilt and I was in the middle
of quilting it, and after his death, I didn't want to even look at it. A couple
of months after he passed I decided it needed to be finished and it needed to be
finished by me, so I finished it. [laughs.]
DM: Good job. Well I think you've said a little bit of this, but what special
meaning does the quilt have for you?
JH: Well, it's my anniversary and it's just everything and it is special about
it and it is that, I guess it's just that.
DM: Okay.
JH: More or less.
00:02:00
DM: Why did you choose to bring this quilt to the interview?
JH: Because it said to bring a touchstone piece that was important to me, and it
is. Probably this piece is most important right now. I may make something later,
but this one is it now.
DM: I understand that. What do you think someone viewing your quilt might
conclude about you?
JH: That I like to quilt [laughs.] I spend too much time quilting [laughs.] I
have no idea what they'd think.
DM: I think what you--
JH: Everybody they say sees it just goes, "Wow."
DM: Yeah, wow is right, absolutely. How do you use this quilt?
JH: I hang it on a wall in my den, and my son-in-law who has a full-time job but
he does woodwork part-time, as a hobby, like I quilt for a hobby, made me a
custom made wooden wall holder for the quilt with lights up inside recessed, and
00:03:00everything. When it's a special occasion or something, we'll turn the lights on,
otherwise we don't use those.
DM: Oh that's nice.
JH: It is, it looks really good.
DM: I'll bet. Well it looks great right here, I tell you.
JH: He's just got a carpenter's eye of a quilter [laughs.] It does look good, he
finished it really good, and he knew how to make one because I told him, that
you press the bars together and, you know.
DM: Good.
JH: No holes or clips or anything in it.
DM: What are your plans for this quilt?
JH: I'm going to leave it hanging for a good while and probably when I pass then
I'll give it to my children. I have two daughters; one of them will get it.
DM: Good. Tell me about your interest in quiltmaking; what age did you start
quilting; that kind of thing.
JH: I didn't start quilting until I was I guess fifty-five. I was a home-ec
teacher, and I taught in several cities in Texas, my husband was working in the
oil business; he was a petroleum engineer, so we were transferred a lot. I
00:04:00taught school at several different towns but then I decided when we moved to
Houston [Texas.] that I wasn't going to work anymore, so I decided to take up
quilting. I had a friend that suggested it would be good because I was doing
needlework like crochet, embroidering, knitting, tatting, all of that stuff, and
I went to Great Expectations, the big quilt store, that was owned by I think Kay
Breslin when I think she--
DM: Carrie--
JH: Carrie, yeah, and I took a class. It was taught by Meng Young, I don't know
if you know her?
DM: Yes I do.
JH: Yes, she was very good. I took a beginning class from her, then she had an
intermediate class and I took it. It was all piecing, then I went to join a
quilt bee, I really liked this, and I went to it, and it was over in the west
00:05:00part when I lived in Katy [Texas.] and a lady named Vickie Mangum was at the bee
and she flipped up this white quilt with all these colorful flowers and
butterflies on it, and I said, "Oh, I'm in the wrong quilt end of the business,
I want to do that." [laughs.] I persuaded her to teach me how to appliqu, so
here I am today.
DM: [laughs.] Good.
JH: Her worst nightmare [laughs.]
DM: I don't think so. How many hours a week do you quilt?
JH: Fifty or sixty.
DM: Oh my.
JH: I live alone and I have a big nice home and I don't have any
responsibilities and at seventy-six years old, I have a lot of free-time, so I
do what I want to do and I figure at my age, I can do what I want to do, when I
want to.
DM: I think you're absolutely--
JH: Before that, I was limited, but I'm not anymore, so that's how much I quilt now.
DM: Great. What is your first quilt memory, they ask you?
00:06:00
JH: I guess it was that first little dinky thing I made that you should see now
[laughs.] you'd know what I was talking about [laughs.]
DM: Any others that you--
JH: Well, one of the more important quilts to me was a little bitty wall hanging
that I made, it was probably about like, eighteen by eighteen, for my aunt who
lived in Waco [Texas.] in her home and she was my mother's oldest sister. It was
bright colored background, with a white around that, then it had a big bouquet
of bright colored flowers that was colors that came from that background piece
that went around the circle. She was approximately eighty-five I guess, when I
gave it to her, and she said, "That is the most beautiful thing I have ever
seen," and so she hung it in her den, where she'd sit and watch TV all the time.
Then she went out to empty her garbage one day, and the iron gate hit her, and
00:07:00knocked her down and broke her thigh or something in there, pelvic bone, anyway,
they had to put her in a nursing home, and she said, "I don't want anything from
my house, but that wall hanging," and she said, "Hang it right there, I want to
be able to see it when I wake up in the morning, and I want it to be the last
thing I see at night." I thought that was a pretty good compliment.
DM: That's a very good, you're absolutely right. Are there any other quiltmakers
in your family or friends?
JH: I've got a lot of friends that are quiltmakers, but my grandmothers on both
sides made quilts, but my mother was not a quilter or a seamstress, either one [laughs.]
DM: Just your grandmothers then?
JH: Yes.
DM: How does quiltmaking impact your family?
JH: I don't really know, I guess if there's anything positive to it, I don't
have grandchildren, I have given a lot of quilts to the girls--I have two daughters--and of
00:08:00course they're getting this one and a couple, the two in the book or whatever,
but I've been donating a lot of my quilts that have won big prizes, to different
organizations for fundraising. I've raised thousands of dollars for cancer.
DM: That's wonderful.
JH: They sell, lottery tickets, not lottery, whatever you call it--
DM: Raffle tickets?
JH: Raffle tickets, yeah. Then at church every, the Sunday before Thanksgiving
we always have an auction, and each class or people that's in the church
congregation can donate something, I always donate a quilt. Last year my quilt
sold for two-thousand dollars and the year before fifteen-hundred, and then
that's used to help our missions programs.
DM: Oh that's wonderful.
JH: So I think that it's useful, you know, because I wanted to get rid of some
of my quilts, I had too many, and that gives me an excuse to make more [laughs.]
but I love doing it, so why not, you know.
00:09:00
DM: Exactly.
JH: I think if people pay that much for one, they're going to take care of it,
you know.
DM: One can only hope.
JH: Yes, but if I paid two-thousand dollars for a quilt I'd probably take care
of it.
DM: I'd take care of it myself. Tell me if you have ever used quilts to get
through a difficult time.
JH: Yes, when my husband died, I mean I was working on that one frantically.
DM: On this one--
JH: Up until he died, and the day he died I said, "I couldn't look at it any
more," because you keep having a hope that you know it's, the cancer it's going
to get you, you know once it gets really bad, so, but it kept me busy.
DM: During a bad time.
JH: Yes.
DM: Tell me about any amusing experience that has occurred from your quiltmaking?
JH: I don't think 've had any [laughs.]
DM: Alright then, we will pass that up.
00:10:00
JH: I don't, I can't think of anything that was funny about it, I'm trying to
think, I just don't.
DM: Okay, well we'll just move on.
JH: Okay.
DM: What do you find pleasing about quiltmaking?
JH: Oh the satisfaction of your time is well spent. When you get through with
the day you can say, "Look, I have accomplished something. I haven't just sat
there and twiddled my thumbs, you know, watching TV shows."
DM: Exactly.
JH: I get up and I have something that's usable; it's either going to hang on
the wall or it can cover a baby, it can cover a bed, it can, you know, all the
things you use quilts for.
DM: Good. What aspects of quilting do you not enjoy?
JH: Basting. It's a pain [laughs.]
DM: What art or quilt groups do you belong to?
JH: I belong to the Dallas [Texas.] quilt guild right now, and no others.
DM: Just this--
JH: I have in the past belonged to several bees and quilt guilds in different
towns where I lived, but here, when I moved to Cleburne [Texas.] I didn't join a
00:11:00whole bunch of them.
DM: You're just in the Dallas [Texas.] group?
JH: Yes.
DM: Has, what have, have advances in technology influenced your work?
JH: Well when I started in 1990, they'd already invented the rotary cutter, the
rulers and the mats so, I probably wouldn't have stayed with it they hadn't done
that [laughs.] Advances, I don't know. I've taken a lot of classes from Nancy
Pierson and Pat Campbell, and they've shown me how to use the tools that we
have, you know, to my advantage, other than that, I don't, I have an embroidery
machine at home, but I don't use it a lot.
DM: So you don't use a computer?
JH: No DM: You don't use a computer? I think they're--
JH: No, no.
DM: Asking--
JH: I write it, I draw a pattern, you wouldn't believe it, on a piece or
notebook paper [laughs.] I just scribble it out.
00:12:00
DM: What are your favorite techniques and materials?
JH: I don't like to use anything but cotton and I like batiks to appliqu with
because they don't fray, I don't like them to quilt but they do have pretty
colors and they are easy to work with for appliqu. I don't use anything but cotton.
DM: And appliqu is your favorite?
JH: Yes.
DM: Method of working?
JH: By far, yes.
DM: Describe your studio or the place where you work?
JH: I have a two story home, an upstairs that had what they called a game room,
and that's my studio [laughs.] it has windows all the way across the front of
the house, and that's where I sit my sewing machine and all my work areas in there.
DM: And storage for fabric and stuff?
JH: Yeah, I have an armoire that's full of fabric. I have four bookcases that
are full of fabric. I have several rolling chests that are full of fabric
00:13:00[laughs.] Appliqu people need a lot of fabrics [laughs.]
DM: Yes. How do you balance your time? I think we've covered that a little bit.
You say you quilt fifty to sixty hours.
JH: I quilt whenever I want to. If I have to go or what to go somewhere and do
something like come down here, I didn't bring anything to sew, I haven't quilted
all day yesterday or today or tomorrow won't either, I might maybe Saturday, I
don't know, if I'm still tired I won't. I just kind of go with the flow.
DM: Do it whenever.
JH: So Sunday I'll be at church and go to meetings and stuff and I'll probably
do a little, maybe an hours worth that evening or two, you know when I'm
watching the news and TV.
DM: Do you use a design wall, and if so--
JH: No.
DM: No? Okay, then we'll just move right on. If not, how do you go about
designing your quilts?
JH: I draw it all on a sheet of paper [laughs.] then I figure out what I'm going
to put on it then I just start doing it.
DM: And you, how do you do it, how do you make your patterns? I mean, you've got
00:14:00it drawn out---
JH: I borrow flower designs from Elly Sienkiewicz. I tweaked a bunch of them,
and then that Brown Bird quilt design, , the swirl on the border, I liked the
way it looked, so I tried to copy that on my own, with my own flowers and my own
butterflies [laughs.] because I pick up flowers and the things that were in the
central part of the quilt, and put it in the border.
DM: In the border?
JH: Repeated, yeah.
DM: So a lot of the butterflies and the flowers are your own--
JH: Yeah, you're right.
DM: Creation? Okay. What do you think makes a great quilt?
JH: A balance of color, for one thing. I think when you first look at it; you
get an impact from the first look, and the quality of the workmanship. I think
00:15:00that has to be good.
DM: Alright. What makes a quilt artistically powerful? Probably a lot of the
same thing.
JH: Yeah, color, I guess, or design. Anyway, I've been wanting to make a
Baltimore [Maryland.] album, and I thought, "Well this will be a
semi-Baltimore," then I through in that border [laughs.] I thought, "Well that
kind of goes with Baltimore," [laughs.]
DM: Yes it does. Well it's beautiful.
JH: Anyway.
DM: What makes a quilt appropriate for a museum or special collection?
JH: I don't know really maybe a commemorative, like the 9/11 quilts or
something like that, I don't know.
DM: What makes a great quiltmaker?
JH: Patience, and lots of it [laughs.] Good eye [laughs.] Cripple fingers [laughs.]
DM: Whose works are you drawn to and why? I'm assuming they mean quilt--
00:16:00
JH: I like all the appliqu works, and I like Pat Campbell's stuff, I like
Nancy Pearson. I did a bunch of her patterns. I like appliqu stuff.
DM: Alright, and which artists have influenced you and I think you, oh you said
Pat Campbell.
JH: Yeah, those, and Vickie, and all of those who, Vickie has one that's out
there that has the pattern that's from that lady, Nancy Pierson, I've had
classes with her, I've had them with Pat, I've had them with several people.
Those are the people that I like, I admire their work.
DM: Okay. How do you feel about machine quilting versus handquilting? What about
longarm quilting?
00:17:00
JH: I'm a handquilter, that's it [laughs.]
DM: That answers the question [laughs.]
JH: Sorry [laughs.]
DM: That's okay. Why is quiltmaking important to your life?
JH: Well, I guess it gives me something to do [laughs.] Keeps me out of trouble,
oh, I don't know.
DM: That's a good answer. In what ways do your quilts reflect your community or
region do you think?
JH: Well, I like, the one that's going to the museum it had hummingbirds around
the outside of it.
DM: What was the name of that quilt?
JH: Hannah's Garden, and it was a, I saw it, it was made in 1935 I think, a
picture of old quilts they had on the cover, and I drew my own pattern to do
that, and she had bluebirds, but I put hummingbirds because at the time I was
00:18:00living in Rockport [Texas.] and we always have the Rockport [Texas.] Hummingbird
Festival in September and I thought, "Hm, this would be neater for me, if I put
hummingbirds on it," so that is how that came about.
DM: Good, that does reflect your community or region.
JH: Yeah.
DM: What do you think about the importance of quilts in American life?
JH: I think they're very important. I think that almost the, whatever you call
it, the knowledge of quilting actually was almost lost for a while and it's been
revived. I'm very pleased to see that because there's nothing that feels as good
as a quilt. My grandmother would make one and give it to me, and you just sit
there and want to feel it, and I just fell in love with that a little bit. I
never had time to work on it, because I was working and I was making Barbie
clothes and I was making little girl dresses [laughs.] all those things you do
00:19:00when you're a mother, and your work. After I quit work, then I had all this
free-time because I was so used to being busy all the time and they were in
college and they were gone, and it was just me and my husband, I had to do
something [laughs.]
DM: In what ways, okay wait a minute, in what ways do you think quilts have
special meaning for women's history in America?
JH: I think it's important that they do what they do because it needs to be a
record or what we're doing, how we're progressing, or whatever we're doing, you
know it tells, lie I made the anniversary quilt, I don't see a man doing that,
you know, but I'm sure there are some that have, but, not as many as women. Like
in the book, I think there's two men represented in the book, and the rest are
women, so it's very important.
DM: Yeah I think so too, you're right. How do you think quilts can be used?
JH: Everywhere for everything [laughs.] For picnics, for beds, for wall
00:20:00hangings, for babies, for the, you just name it.
DM: How do you think quilts can be preserved for the future?
JH: I think by that museum that they're opening in La Grange [Texas.] and other
places that have some quilts, are doing a great job, you know. Me personally, I
use my quilts, I take and fold them, put them in that tissue, that preservative
tissue whatever it is, and try to save it, then I put them in those and refold
them, and store them in a closet.
DM: When you, one question in connection with that, when you give your quilts to
be raffled off, do you give them any instructions?
JH: Yes.
DM: Good.
JH: I typed a written page.
DM: Oh good, oh that's nice, great. Okay, what has happened to the, well we've
covered this a lot, what has happened to the quilts that you have made for those
00:21:00for friends and family?
JH: They still have them, I don't sell them, I give them away. If I want you to
have one, I'll give it to you; I will not sell it to you.
DM: Okay, great. What do you think is the biggest challenge confronting quilters today?
JH: The high price of cotton [laughs.] I don't know what the biggest challenge
is, because I'm not out there with them anymore, I'm at home, I know what, I
don't take classes anymore, I don't know it all, and I know I don't but I know
enough [laughs.]
DM: You know enough about appliqu.
JH: I'm just, I'm just happy where I'm at, so I'm just, everybody says, "Oh
there's this new way from the back," and I said, "Well go ahead and do it from
the back, I still like it the way I do it." [laughs.]
DM: And if it works for you, why go on to something else. Alright, is there
anything else that you have thought of to say?
JH: I can't think of anything, that was, you pretty well covered everything [laughs.]
00:22:00
DM: Yeah, they've. Well, okay, I would like to thank Jo Ann for allowing me to
interview her today for the Quilters' Save Our Stories oral history project. Our
interview concluded at 5:22.